Archive for the ‘Uncategorized’ Category

PostHeaderIcon South Dakota Tries To Avoid Oil Boom’s Downside

Story By: by Gary Ellenbolt

The oil boom in western North Dakota has sparked a massive migration. Communities that struggled to keep people are now tripling in size as workers from all over seek their fortunes. In South Dakota, officials say there’s oil in their state too. But before drillers head toward Mount Rushmore and the Black Hills, North Dakota’s experience is being watched closely.

PostHeaderIcon Gourmets Down the Road

CULVER CITY, Calif.
$885,000

A roughly 1,800-square-foot apartment with two bedrooms and two baths, downtown

Fit for Foodies

Louis Leal

Culver City, California home.

DETAILS: This contemporary condominium unit has an open-plan kitchen-and-living area and a covered terrace. The fourth-floor apartment is part of a 2009 mixed-use building that has 18 units and a gym.

FOODIE ALERT: Less than a half-mile away is critics’ favorite Fraiche, with its rustic French and Italian fare. Also nearby: restaurant supply store Surfas, which offers cookware and gourmet food—including more than 60 olive and other oils—and gastropubs Ford’s Filling Station and Father’s Office, which offers a $12 burger with dry-aged beef, caramelized onion and gruyère.

FRIDAY’S FORECAST: Sunny, high 80 degrees

SOURCE:
Tami Pardee, Pardee Properties, 310-907-6517, tami@pardeeproperties.com

AUSTIN, Texas
$999,000

A 4,100-square-foot home with six bedrooms and four baths, on 0.38 acre in a gated neighborhood in Westlake Hills

DETAILS: This two-story, Mediterranean-style home was built in 1997 and renovated in 2007. It has 24-foot ceilings in the great room, some vaulted ceilings and two bedrooms on the first floor. There are also several fireplaces, a pool and a putting green.

FOODIE ALERT: Uchi, a nationally recognized sushi restaurant, is six miles away. (The “pitchfork” roll comes with Wagyu beef, avocado and leek crisps.) Other notable restaurants include Olivia, where an entrée of lamb liver and onions costs $15, and Garrido’s, where Tex-Mex goes upscale.

FRIDAY’S FORECAST: Partly cloudy, high 95 degrees

SOURCE:
Cord Shiflet, Moreland Properties, 512-751-2673, cord@moreland.com; Realtor.com

NEW YORK
$945,000

An 1,100-square-foot penthouse apartment with two bedrooms and two bathrooms, in the West Village

DETAILS: This cooperative unit is in a 1961 doorman building with a roof deck. The 17th-floor apartment has exposures on three sides.

FOODIE ALERT: Babbo, Mario Batali’s restaurant, is less than seven blocks away. The pasta tasting menu costs $69 without wine. The original location of Joe the Art of Coffee is nearby, as is Blue Hill, which the Obamas made their date-night pick a year ago. An entrée of Hudson Valley chicken with shiitake mushrooms and spinach runs $32.

FRIDAY’S FORECAST: Partly cloudy, high 83 degrees

SOURCE:
Joanne Greene, Brown Harris Stevens, a Christie’s Great Estates affiliate, 212-906-9341, jgreene@bhsusa.com

— Juliet Chung

© 2011 Wall Street Journal (www.wsj.com)

PostHeaderIcon Ron Paul backers’ plan: Transform the GOP

As they doggedly work the Republican system from the ground up, electing more of their team as delegates to the Republican National Convention, they have a heavyweight plan that’s markedly different from the rumors of convention subterfuge and the guess of simply getting their candidate to the podium.

“We want to change the Republican Party,” said Chris Stearns, the Virginia state director for the Ron Paul campaign. “We are making sure our people get in positions of leadership — in the nation, in their state, in their county and city, all the way down to the grass roots level.”

Libertarians such as Stearns aspire to nothing less than the kind of bottom-to-top takeover that proved so successful for the religious right and anti-abortion forces in the 1980s. Many of the men and women who swept into local party office then inhabit top rungs of the GOP now. And similar to that movement, Ron Paul and his campaigners for liberty are looking down the road.

“This is not just for this term,” Stearns told CNN Radio from the southern end of the state, “but four, six or eight years from now.”

Nearly 200 miles away, in northern Virginia, a separate Ron Paul supporter is similarly forward looking.

“Four years, eight years, 12 years, we are here for the long haul,” said Patrick Bailey, a 26-year-old who moved from New York to Washington specifically to get involved in electoral politics.

He plunged in on Saturday as one of three Paul supporters running for delegate to the national convention from Virginia’s 8th Congressional District.

Battle in the grass roots

That kind of local party election is often ignored by headlines and pundits, but it’s where Ron Paulians are waging their most furious battle.

Primaries and caucuses often dictate how a state’s delegates should vote, but it is these internal state and local party conventions that determine who the individual delegates will be. They represent hundreds of small but open doors to get your troops to the convention.

The 8th District, which includes the Washington suburbs of Alexandria and Arlington, felt the Paul surge Saturday. Four years ago, the district convention saw some 350 participants. The 8th District Republican chairman told CNN that participation had nearly doubled this year.

Anyone can attend and vote, as long as they sign up by a deadline and have not voted in a Democratic primary in the past five years. This is how the Paul strategy works: Sign up. Show up. Vote.

“We have been calling and e-mailing,” Bailey said ahead of the vote. “Our turnout’s looking great.”

But some feel it is an attempt at political hijacking.

“There are people out here who are still fighting for Ron Paul who got defeated at our primary,” said Fran Redmon, who has been involved in the 8th District Republican Party for 40 years. “It’s so ridiculous. They should either be a Republican or not be here today.”

Asked what she thought the Paul supporters were trying to accomplish, Redmon replied, “I think they aren’t really thinking it through. I suppose they think we’re people who don’t have an agenda or something.”

Indeed, the agenda is the rallying cry for the libertarian forces.

CNN spoke with more than two dozen Paul supporters at this local Republican meeting and they shared common goals: substantially smaller government both in spending and in power, far more limits on the Federal Reserve, an end to what they see as American interventionist policy overseas and a cry of concern for individual rights.

The second-ballot gambit

“This is a movement,” said Homan Rabie, who came to the 8th District convention with his high school friends, “(Republicans) need a true philosophy.” They need to bring in more minorities and young people like his group, he added.

So it’s a movement. Why then all the national convention delegates?

Especially in a place like Virginia where, by Republican rules, nearly all the elected delegates must vote for Mitt Romney on the first ballot.

Let’s get the nomination theory out of the way.

One supporter at the 8th District convention mentioned a much-forwarded idea that Paul delegates could abstain on the first ballot, forcing a second vote at the convention and then, on that second ballot, cast votes for Paul. But there are two problems with this notion: One is that if a delegate abstains, an alternate delegate, who may or may not be a Paul supporter, would step in. The other problem? Many Paul supporters told CNN they think it’s a pipe dream. They’re distancing themselves from the idea.

“To me personally, it doesn’t look like any way that’s going to happen,” said Bailey, the candidate trying to get to Tampa. “I don’t see (the Paul delegates) going in and causing a ruckus. The last thing we need is to become a scapegoat (if Republicans don’t win in November).”

Change the party from the bottom up

Paul says as much himself. He told CNN last week that the idea of disrupting the national convention “is not in my plan. That is against my plan.”

The plan, say supporters up and down the Paul chain, is to put their people in Republican positions of power from the bottom to the top, and change the party.

Saturday, the few hundred voters at Virginia’s 8th District convention chose between seven candidates for three national convention seats. While Bailey came in fifth, his friend and fellow Paul supporter Matthew Burrow took third place and won a spot for libertarians in Tampa.

Stearns says Paul supporters have won 15 of the 24 congressional delegate spots decided in Virginia so far.

Add it to the list. Paul took all 21 elected delegate spots in Maine and the vast majority of the elected delegate positions in Nevada, state party officials confirmed to CNN.

Party officials in Minnesota have not been able to certify their exact results to CNN but agreed that Paul won most of the up-for-grabs delegates there as well. That is especially notable because Minnesota’s delegates are not bound on the first ballot at the national convention.

But the 2012 nomination is not the point, Bailey reminded those around him.

Instead, it’s learning the process, getting better at it, gaining positions and changing the Republican party, no matter how long it takes.

“We’re all getting training on the ground now,” he said. “At the end of the day, this is all practice for the next time. And the next time all be practice for the time after that. And eventually we are going to win.”

It is a big plan, requiring not just determination but stamina.

PostHeaderIcon An Iconoclast and His Students

Orchestras are the luxury liners of the classical-music world—beautiful, huge and often unwieldy—and many are finding it increasingly difficult to stay afloat. So last year, three music industry veterans—publicist Mary Lou Falcone, Opus 3 Artists president David Foster and festival director Tom Morris—launched a program to help turn things around. The “Spring for Music” festival at Carnegie Hall comprises six orchestras from around the country, selected for proposing especially creative programs, and offers audiences seats for just $25.

Spring for Music:

New Jersey

Symphony Orchestra

Carnegie Hall

May 9

“I believe programming is an art, not a formula,” Mr. Morris says. “This is a challenge to orchestras to demonstrate thoughtfulness and a sense of adventure. Some construct their programs around a theme, others build an evening so that each work illuminates the others.”

[NJSO]

Steven Rosen

The links between Busoni, Weill and Varèse, three individualists.

One particularly interesting concert this time around will take place on Wednesday, when the New Jersey Symphony, under the direction of Jacques Lacombe, presents the little-heard Piano Concerto by iconoclastic 20th-century composer Ferruccio Busoni, along with works by two of his equally individualistic students, Kurt Weill and Edgard Varèse. On the surface, the three could not be less alike. Weill is perhaps best known for his “Threepenny Opera” and its signature pop hit, “Mack the Knife,” but his early First Symphony is in a starker, more dissonant mode. Varèse’s advanced modernist music, which relies on unusual, percussive timbres, is represented by his final work, “Nocturnal,” complete by his student, Chou Wen-chung. Busoni’s 1904 Piano Concerto score is sprawling and lush. “The contrast is important,” Mr. Morris explains. “The Busoni is such a huge Romantic potboiler, you want to go the other way in the first half with a completely different sound world.”

Busoni is a fascinating figure, more often talked about than heard. “We know him mostly by his Bach arrangements or his late works,” says pianist Marc-André Hamelin, who will be soloist in the concerto. Those piano arrangements add dynamic intensity and drama to Bach’s solo writing; Busoni became so associated with them that several anecdotes depict people accidentally addressing his wife, Gerda, as “Mrs. Bach-Busoni.” But his essays and books peer into a future in which the 12-note scale is divided into even smaller slices, and music takes on an aesthetic of “oneness”—rising beyond mere sensuousness and subjectivity.

“Somehow I was under the mistaken assumption that Busoni’s piano concerto was one of his late works and would be dark and mystical,” Mr. Hamelin reports. “But it turned out to be this gloriously rich and serene work, and I knew it had to be played. Then, I worked to get it under my fingers and realized it is a bear.” That’s quite an admission from a brilliant pianist who seems capable of playing anything, from the standard repertoire to the most finger-breaking rarities, with seeming ease. Nevertheless, he says, there is nothing flashy about Busoni’s solo writing here. “The work is a sort of symphony with piano. If you expect the traditional concerto, you are going to be disoriented. All the movements are very long—the slow movement alone is over 20 minutes. So you must be prepared to experience the kind of narrative more commonly associated with the symphonic utterance. The difficulties for the pianist are of an internal kind—getting the grasp of the harmonic and architectural world of the piece, and coordinating the minute changes of tempo and shifting balances with the orchestra.”

The concerto, which the composer saw as the culmination of his early manhood, is in five movements, including a lively Tarantella and a finale with male chorus. The text comes from a never-completed setting of “Aladdin,” based on a tale from the “1001 Nights.” It’s a poem of praise to Allah—”Lift up your hearts to the Power Eternal”—envisioned as a melody that “blossoms and ascends without end.”

“The links between these featured composers are not so obvious,” Mr. Lacombe explains. “But they all knew each other and worked together in Berlin in the early part of the 20th century. And there are some wonderful programmatic connections. The Busoni concerto and Varèse’s ‘Nocturnal’—a work based on Anaïs Nin’s ‘House of Incest’—both call for male chorus, for example. In the case of Weill, you see the attempt of a young composer to try out a lot of things, and you can sense the influence of Busoni at times—in his fugal writing, for instance—while there are also moments that sound almost like Broadway. It’s all there, and very touching.

“I’m proud of the New Jersey Symphony’s ability to pull it all off,” he continues. “We have all the qualities necessary: the strings are gorgeous in the Busoni, and the orchestra does a fantastic job with Varèse’s varying timbres. ‘Spring for Music’ makes it possible for us to present the program without having to worry about the business and marketing details. For us, it’s a very exciting moment.”

Mr. Isacoff’s latest book is “A Natural History of the Piano: The Instrument, the Music, the Musicians—From Mozart to Modern Jazz and Everything in Between” (Knopf).

Corrections & Amplifications

“Spring for Music” was organized in part by David Foster, who is also the head of Opus 3 Artists. An earlier version of this article misidentified Mr. Foster as a record producer.

A version of this article appeared May 9, 2012, on page D7 in the U.S. edition of The Wall Street Journal, with the headline: An Iconoclast and His Students.

© 2011 Wall Street Journal (www.wsj.com)

PostHeaderIcon Bulls’ Rose to miss 8-12 months with knee injury: doctor


Tue May 15, 2012 7:38pm EDT

<span class="articleLocation”>(Reuters) – Chicago Bulls guard Derrick Rose could be out of action for an entire year while he recovers from surgery to repair a torn anterior cruciate ligament, the doctor who performed the procedure said on Tuesday.

Rose, a three-time All-Star who was named the National Basketball Association’s (NBA) Most Valuable Player last year, suffered the knee injury in Chicago’s opening playoff game last month.

Doctor Brian Cole, who performed the operation on Saturday, told a news conference Rose was facing a lengthy break from the game.

“The time frame that we believe an athlete of this caliber generally requires is about eight to 12 months. Sometimes shorter, sometimes longer,” he said.

“While he will be in hopefully a very high level in eight to 12 months, it still may take slightly longer for him to be at his pre-injury level, that’s not uncommon in athletes at this caliber.”

At best, Rose would miss the first few months of the 2012-13 NBA season, starting at the end of October. At worst, he could miss the entire campaign, which could be a major blow to the Bulls.

They finished the 2011-12 regular season as the number one ranked team in the Eastern Conference but, without Rose, they bowed out of the playoff race in the first round when they lost to the Philadelphia 76ers.

(Reporting by Frank Pingue in Toronto; Editing by Julian Linden)

© 2011 REUTERS (www.reuters.com)

PostHeaderIcon Artist Doug Aitken

[AITKEN]

Amanda Marsalis for The Wall Street Journal

SOUND MIND | Doug Aitken outside of his work space

[AITKEN]

Amanda Marsalis for The Wall Street Journal

A room in the studio

LOCATED ON A QUIET STREET in Venice, Calif., Doug Aitken’s studio is within breeze range of the ocean and walking distance of his home. His latest project, titled “Song 1″—a massive creation of video projection and sound—has been transforming the cylindrical exterior of the Smithsonian Institution’s Hirshhorn Museum in Washington, from sunset to midnight for eight weeks (it closes May 13). The blue-eyed Redondo Beach native looks like an ex-skateboarder, and his relaxed Southern California demeanor makes it easy to forget that he’s famous in every modern art scene in the world. His cross-genre creations—including video, architecture, sculpture and books—make him a difficult artist to categorize. He built a Sonic Pavilion in Brazil that records the sound of plate tectonics one year, and then created a video and performance piece on a barge in Greece the next. He’s had solo exhibitions at the Whitney and the MoMA in New York, the Georges Pompidou in Paris and the Serpentine Gallery in London, to name a few. Here, Mr. Aitken gives us a tour of his studio compound a block off Venice’s Abbot Kinney Boulevard.

My office has two buildings that function like the right and left sides of the brain. There’s a room where everything is being edited for an upcoming project, but you can pull out of that into a tranquil space to work in a different, more solitary medium. It’s an architectural unfolding of the process instead of just one chaotic structure.

Doug Aitken

‘Song 1′ at the Hirshhorn Museum

I don’t really care about interruptions. I accept technology and I don’t turn things off. I’ve found a peace with fragmentation and a harmony with switching gears quickly to other things.

Doug’s Office Essentials

[AITKEN]

iStockphoto

  • Gridded index cards
  • Aeron chair
  • MacBook Pro, iMac, iPhone
  • Harman Kardon HK3380 receiver
  • Ion USB turntable
  • Bose speakers
  • G-Drives
  • HP Deskjet F4480
  • Vinyl records, 45s, CDs, iTunes

My project boards seem to work very well. The images are constantly circulating and changing—different projects in different stages of incubation. It’s important to have new ideas in your peripheral vision. Some are things we’re using for reference, and some are new pieces. Some may never amount to anything, but you might find yourself in a few years gravitating toward that image again because it’s burned into your retina, and something about it builds a new trail of DNA.

I based the Hirshhorn project on a song written in the late ’20s, “I Only Have Eyes For You.” I took one song that everyone from every generation has come in contact with, whether they like it or not, and created a large-scale artwork out of it. The perfect pop song is a 20th-century creation; it’s not a sonnet, it’s not an opera, it’s something short—three and a half minutes by nature—and has this ability to travel, and to defy class and economic structures. It could be in the Philippines in a cab today.

For me, music is more of a tool than any object I hold in my hand. I’m fascinated by the structure of music. The more you get into it, the further it goes.

Every kitchen needs a sonic table. It’s a musical instrument that we can also use for meetings and meals. I designed it out of a frustration with communication. I found myself at one of these museum benefit dinners with assigned seating. I was dozing off and thinking, “These are probably fine people, I just have nothing really to say to them. But maybe if sound could take over when words fail, I could create a social space based on sound.”

[AITKEN]

Amanda Marsalis for The Wall Street Journal

Mr. Aitken’s project boards

I have a weak spot for late ’60s-early ’70s yippie paperbacks and protest manifestos. I find them at flea markets or online. One of my favorites is “Right On,” a compendium of student protests made into this 95-cent paperback with the most amazing graphics.

I’m into drinking boiled ginger right now. That’s as culinary as I get. Lately we’ve had it on the stove every day, this cauldron that everyone’s dipping into.

At work, what keeps my team going are chocolate-covered espresso beans. They are the Quaaludes of the 21st century, and the threshold of extreme chemicals here.

—Edited from an interview by Stinson Carter

A version of this article appeared May 5, 2012, on page D10 in some U.S. editions of The Wall Street Journal, with the headline: Doug Aitken.

© 2011 Wall Street Journal (www.wsj.com)

PostHeaderIcon Sunny knows it all

"Sunny is my senior. I call him sir. I can’t train anyone. Artists train themselves when the need arises. I did not train him. He [Sunny] knew the language and caught the lingo," the 40-year-old said.

Sunny, last seen in Yamla Pagla Deewana, plays an orthodox Hindu priest and a Sanskrit teacher in the film.

"Chandra Prakash Dwivedi [director] had told him everything in detail. Sunny ji will surprise you in the film," he added, about the movie, which features TV star Sakshi Tanwar as Deol’s wife.

"Bollywood has continuously given me a lot of love and respect. After 20 years of determination, Bollywood has embraced me, I am very happy," Kishan added.

Article continues below

© 2011 Gulf News (www.gulfnews.com)

PostHeaderIcon TV Replay

U.S. Natl. Archives and Records Administration

A scene from the PBS documentary ‘The War’

‘The War’ on Blu-ray

For the nearly 15-hour, seven-episode 2007 PBS documentary, previously available on DVD, directors Ken Burns and Lynn Novick opted not to rely upon re-enactments or historians and experts to consider World War II. Instead, they interviewed the people who lived it in four American towns: Mobile, Ala.; Luverne, Minn.; Waterbury, Conn.; and Sacramento, Calif. Familiar voice-over narrators include Tom Hanks.

AMC

A scene from ‘Hell on Wheels’ in Season 1.

‘Hell on Wheels’: Season 1

Anson Mount stars as former Confederate soldier Cullen Bohannon, who spends this season seeking revenge against the Union soldiers who murdered his wife and son. He moves West to work on the Union Pacific Railroad, overseeing track workers, including emancipated slave Elam Ferguson (hip-hop musician and actor Common). Colm Meaney portrays corrupt entrepreneur Thomas Durant. The violent, steamy western will return on AMC later this year.

CBS Home Entertainment

A scene from ‘Flashpoint’

‘Flashpoint’: Season 4

The Canadian cop drama aired on CBS before switching over to ION early into this season. The show’s “Strategic Response Unit” is inspired by Toronto’s Emergency Task Force, handling high-intensity cases like finding a criminal who streams his robberies on the Internet. Stars include Toronto native Enrico Colantoni (who starred in the 1997-2003 series “Just Shoot Me!”) and Amy Jo Johnson. ION has renewed the show for a fifth season.

Note: DVDs are released Tuesday.

—Monika Anderson

© 2011 Wall Street Journal (www.wsj.com)

PostHeaderIcon It’s Joy and Heartbreak in the City of Manchester

[HOF]

Getty Images

Sergio Aguero of Manchester City scores his team’s matchwinning goal during the Barclays Premier League match on Sunday.

When the final day of the English Premier League season kicked off on Sunday, two teams from Manchester topped the table, with City ahead of United on goal differential. A victory would be enough for City to win the title. United had to hope for a slip-up.

And as United dispatched Sunderland, it looked like a City slip-up was on the cards. Manchester’s men in blue were trailing Queens Park Rangers 2-1.

Then, in one of English soccer’s most stunning comebacks, City scored twice in stoppage time to win 3-2 and claim it’s first top-flight crown in 44 years. United, meanwhile, became the first team in Premier League history to post 89 points and not win the title.

But United knows all about inflicting late heartbreak. With two injury time goals, it overturned a 1-0 deficit in the 1999 Champions League final against Bayern Munich.

As far as thrilling finishes go in England’s domestic league, only the conclusion of the 1989 season can compare. Arsenal visited Liverpool on the last day of the season trailing by three points. Liverpool only needed a draw, while Arsenal needed to win by two goals to claim the title on goals scored, the second tiebreaker. The Gunners made it 2-0 in the 90th minute. Which, by Manchester City’s new standard, seems downright early.

—Joshua Robinson

© 2011 Wall Street Journal (www.wsj.com)

PostHeaderIcon Romney Treads Lightly In Speech To Liberty Grads

Story By: All Things Considered

Former Massachusetts Gov. Mitt Romney struggled to attract the support of evangelical voters during the Republican primary season. On Saturday, he traveled to an evangelical citadel: Liberty University, founded by the late Jerry Falwell. In delivering the school’s commencement address, Romney largely stayed clear of politics — with the exception of his biggest applause line. Weekends on All Things Considered host Guy Raz talks with NPR’s Ari Shapiro.